Tag Archives: Bruno Mestdagh

University of Antwerp

I’m excited to announce that since 1 October, I’m appointed as a part-time assistant professor at the University of Antwerp! After 8 beautiful years of academic endeavours at Ghent University, my main home institution will now be the University of Antwerp, but I will still be 25% FWO postdoctoral fellow in Ghent. In Antwerp, I am connected to the department of Communication Studies, where I teach a course Modern and Contemporary Film Movements, and to the department of Literature, where I’m teaching the courses Film Genres, Adaptation in Theatre, Film and Literature, Text and Representation and Research Seminar Film.

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Guided visit by Bruno Mestdagh at Cinematek

All my courses start in February, except for the Research Seminar Film, which has already started 3 weeks ago. In this course, which I’m co-teaching with Steven Jacobs, we focus on an unknown but highly fascinating film from 1930 by Carlos Queeckers, Het leven eener grote abdij, about the history of the abbey of Tongerlo. The students make an in-depth investigation of the text, production and reception of the film, which was recently digitised by Cinematek (the Royal Belgian Film Archive). The seminar also focuses on how to present research to a broader audience, in the framework of which we visit a number of exhibitions. Last week, we visited a great exposition on the French filmmaker/multimedia artist Chris Marker, Memories of the Future, at BOZAR (the exhibition comes from the Cinémathèque française). Combining an insightful overview of his artistic work with some rare material, it’s definitely worth a visit!

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Chris Marker at BOZAR

 

Il Cinema Repubblica

The ‘Gentse Feesten’ (Ghent Festival), one of Europe’s biggest street festivals, hosts countless cultural events, such as concerts, (street) theater, debates and expositions. Until last year, however, a film event was lacking (although the past has seen some attempts to include open air and other film screenings). Il Cinema Repubblica now provides the Gentse Feesten with a film event to be proud of.  This four day silent film festival (17-20 July) is an initiative of the audiovisual company Republic of Reinvention, in collaboration with Cinematek (the Royal Belgian Film Archive, taking care of the film programming together with Cinea) and the School of Arts Gent (providing the beautiful historical setting of the Miry concert hall in the heart of Ghent).

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Bruno Mestdagh (Cinematek) introducing the films of Alfred Machin

All films are accompanied by live music: the first two days by musicians from the conservatory, the last two days by Hilde Nash, Cinematek’s house pianist. The first day had slapstick films, the second day served some rare copies of the Cinematek, the third day (which I attended last night) focused on the films of Alfred Machin and the fourth day combines a Chaplin classic with an early Italian feminist film and an obscure porn film from 1920. Hopefully Il Cinema Repubblica has come to stay!